It is when things go slightly awry that the best stuff happens. At least, that’s the excuse I’m using. Welcome to my blog. It is, and no doubt will remain, a work in progress essentially describing the journey to publication of my novel The Backstreets of Purgatory and all things related to its content. For the moment that means Glasgow (where it is set) and art (Caravaggio is one of the stars of the show). But that’s just for starters. All digressions, anomalies and inconsistencies are part of a greater plan. Unfortunately I’m not sure what that is yet.
PS If you’ve signed up to my email list and haven’t received your FREE SHORT STORY, check your spam folder incase it is hiding out there. If it isn’t, contact me and I’ll make sure you get it somehow.
I’m very excited to be taking part in the opening event of this year’s Brontë Festival of Women’s Writing on Friday 22nd September at 7 pm. Yes, that’s tomorrow. Between house moves and dodgy phone lines, I haven’t had a chance to mention it here before now. If you are in the area, please come along. There will be a panel of us discussing self-promotion and marketing for writers. Useful for writers of all types, whether you have a traditional publishing contract or are going along the non-trad route. Writer and academic Laurie Garrison will be sharing her digital marketing expertise, novelist Sarah Dunnakey will be talking about her experience in a traditional setting and, instead of passing myself off as a crowdfunding expert, I’ll be confessing to my worst mistakes that I made during my campaign to fund The Backstreets of Purgatory.
The venue is Cobbles and Clay Café in the main street in Haworth. Other events in and around the Parsonage over the weekend include YA author Liz Flanagan running a writing workshop for girls, Adapting the Brontës with novelist Rachel Joyce and playwright Deborah McAndrew who will also be running a Writing for Stage event. The headline event on Saturday evening is Sarah Perry, author of The Essex Serpent which was Waterstones Book of the Year 2016.
I can’t wait to meet the other participants and attendees. And you, if you can make it. Directions below.
Surviving on the run with his granda, turning invisible, signing up for NASA and reinventing the diary, meet Chris ‘say aye to everything’ McQueer, a man with some very valuable secrets.
Sprout questionnaire? Yes, for once this isn’t bad spelling on my part. My Proust questionnaire has been put through the mincer and this is the result. A Sprout Questionnaire. Nothing at all to do with leafy green vegetables or European capitals, but hey, that’s probably a good thing.
[Actually I got the idea for the title from a game I’m playing by myself (I repeat, by myself) on Twitter #authoranagrams. The clue is in the hashtag. You can join me if you like @TaylorHelen_M.]
The first willing (I think he was willing) victim of the revamped questionnaire is Chris McQueer.
Chris is a 25 year old writer and sales assistant from the east end of Glasgow whose debut collection of short stories ‘Hings’ has been published by 404Ink and is out now. His work has also appeared in Gutter magazine, The Skinny and The National and he has performed at Glasgow’s Aye Write book festival, Belladrum Festival and on BBC Radio Scotland. His stories are riotously, brilliantly funny and more than a touch surreal, and show Glasgow in all its irreverent glory but, (and maybe I should whisper this bit) beneath the spurt-your-drink-out-your-nose laughs and the don’t-let-your-granny-read-it swearing, they address serious issues like class division. Everyone should buy a copy if you haven’t already.
I’m really chuffed that he agreed to take part in this piece of ridiculousness.
Squint a little and perhaps you can see a young Simone Jacob there with her fellow students.
Simone Veil, grande dame of French and European politics, Holocaust survivor and champion of women’s rights, died 30 June 2017. At her funeral at Les Invalides on July 5th, President Macron announced she would be interred in the Panthéon, one of only five women thus far to be granted this rare distinction.
Veil was originally from Nice which is not far from where I live. When she died, I realised I knew only the headline facts about her, despite the fact she is probably the most celebrated and revered women from this city. To correct this lack on my part, I read as much as I could find about her. And what I discovered was both inspiring and terrible, and fed several of my obsessions as a writer. Continue reading “Simone Veil”
A fascinating insight into other writers’ working practices
Do you plot your novel to the last detail or do you fly by the seat of your pants? Do you know where you are going when you put pen to paper or are you winging it for the entire journey? In other words, are you a plotter or pantster?
When my debut novel, The Backstreets of Purgatory, was taken by Unbound I was forced to face a dilemma that had been bothering me for a while. Should I use my own name or should I use a pseudonym? I’ve written a piece about the very subject for the outstanding The F Word, a webzine of contemporary UK feminism, which has just been published.
It was a great experience working with their fiction editor, Harriet Kilikita. It is the first time I’ve worked like this with an editor (if you don’t take into account my reports on the netball league for the local newspaper in Oxford; my masterpieces of sports journalism tended to be slashed to one or two lines—it was crippling). This was an altogether more positive affair.
Thanks to all those involved. It is great (if pretty scary) to get exposure on a site with as many engaged readers as The F Word. Especially when my feminist credentials were in desperate need of a good dusting down.
I want to share a method that always works for me. It comes with a health warning because it is addictive.
Writers, we all know that awful feeling. The blank page or screen waiting expectantly for our brilliant words to fill it. And us, ready, desperate to flex our writing muscle or whatever the current expression is.
How can we get past that terrible block and just start writing? The thing is—I don’t know if it is the same for you—but the more I write, the quicker the ideas flow, but it is that getting started part that’s tricky. Of course, you’ll find loads of advice all over the internet on how to get those precious words down on paper. We’re talking free writing, dream diaries, character studies, writing prompts and the like. But honestly, if all that was needed from a writing prompt was any old word, we could—would—simply pick our own at random from the dictionary. True, these are all great ways of practising your technique (and like any craft, writing demands regular practice), but they don’t always give you a real connection to a piece of work. And that is because there is something fundamental missing. Continue reading “Writer’s Block: How to generate your own writing prompts and never be short of ideas again.”
Individually we may not be able to atone for the past, but we must acknowledge it.
Fiction is often the gateway into fact for me. The books that stay with me longest are frequently those that have changed the way that I look at the world, taught me something fundamental or submerged me in an unfamiliar culture. Books like Half of a Yellow Sun by Chimamanda Ngozi Adichie which centres on the Nigerian-Biafran war of 1967-1970, a war about which I was shamefully almost entirely ignorant until I read the book, or Isabel Allende’s House of Spirits which, even though the Latin American country in which it is set is unnamed, was my point of discovery of the history and politics of Chile and led me towards the more factual (but beautifully written) books about South American history and politics by the Uruguayan writer Eduardo Galeano. Vikram Seth’s A Suitable Boy—one of my favourite books of all time—not only evoked the most profound memories of the short time that I worked in West Bengal Continue reading “Sugar and Tobacco”
Quick update to my post about our Unbound Golden Hare event in Edinburgh on Wednesday night. The event will take place in Golden Hare Books rather than St Stephen’s. Hope you can make it. It would be ace to see you there!!
Come along to meet some new writers, discover more about an innovative company and support your local independent bookshop.
VENUE UPDATE: We’ll be reading in the bookshop rather than the Great Hall.
Are you a writer, a reader? Are you interested in publishing or being published? Are you a bookshop devotee or an ebook enthusiast?
Yes, yes, yes, of course!! If you happen to be near Edinburgh on Wednesday 10th May, I’d love to see you at a special panel event featuring myself and three other Unbound authors, Martine McDonagh, Ian Skewis and Tabatha Stirling. The event is being hosted by Stockbridge’s wonderful independent bookshop, Golden Hare Books in the glorious surroundings of the Great Hall of St Stephen’s, Stockbridge.
We all know the publishing and bookselling industry is changing fast. The boundaries between traditional publishing and the standard model of self-publishing are blurring as innovative companies like Unbound challenge the status quo. Unbound’s radical new publishing model takes traditional publishing and combines it with a crowdfunding platform. Their ethos is to publish adventurous, exciting books, produced to an impeccable standard, for a readership who are eager to support these books.
And how often do we hear about bookshops struggling? Far too often, I’m sure you’ll agree. So it is fantastic to find an independent bookseller who is going great guns. Golden Hare Books opened its doors in 2012 in Edinburgh’s Grassmarket before moving to its current location in Stockbridge three years ago. The bookshop has a small team of knowledgable staff who are all avid readers and deeply involved in the literary world. Community involvement, collaborations with artists and writers, story and craft sessions for youngsters—Golden Hare Books is committed to being a space for everyone to come and celebrate books. And it isn’t only about the words inside but also books as physical objects, as objects of beauty. I can certainly relate to that. Cover designs, the weight of a book in your hands, the ruffle and smell of freshly turned pages. Bookshop heaven.
From 6 pm until 8.30 pm, while you sip a glass of wine in the beautiful surroundings of the Great Hall in St Stephen’s Stockbridge, the four Unbound authors will discuss the pros and cons, the highs and lows, the success and the difficulties of our crowdfunding campaigns. Although we have all written novels, there the similarity ends. Our projects span hardback, paperback and digital editions, some of us are published, some of us funded or still funding. You can find out more about each of us on Golden Hare’s event page (where you can also buy tickets), or follow the links on our names above to our Unbound pages.
The Great Hall is a magnificent space. It would be fantastic to be able to fill it. Admission is ticketed and the tickets cost only £2 (and you get a glass of wine for that). Come along to meet some new writers, discover more about an innovative company and support your local independent bookshop. We’re looking forward to meeting you!